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Finally, there was the challenge of recording fidelity.
No agreement was reached, but within a year Edison commissioned the development of the Kinetoscope, essentially a "peep-show" system, as a visual complement to his cylinder phonograph.
The two devices were brought together as the Kinetophone in 1895, but individual, cabinet viewing of motion pictures was soon to be outmoded by successes in film projection.
Beginning in 1914, The Photo-Drama of Creation, promoting Jehovah's Witnesses' conception of mankind's genesis, was screened around the United States: eight hours worth of projected visuals involving both slides and live action were synchronized with separately recorded lectures and musical performances played back on phonograph.
Meanwhile, innovations continued on another significant front.
Reliable synchronization was difficult to achieve with the early sound-on-disc systems, and amplification and recording quality were also inadequate.
Innovations in sound-on-film led to the first commercial screening of short motion pictures using the technology, which took place in 1923.
The earliest feature-length movies with recorded sound included only music and effects.
The first feature film originally presented as a talkie was The Jazz Singer, released in October 1927.
In 1907, French-born, London-based Eugene Lauste—who had worked at Edison's lab between 18—was awarded the first patent for sound-on-film technology, involving the transformation of sound into light waves that are photographically recorded direct onto celluloid.Tags: Adult Dating, affair dating, sex dating